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ブレヒトに学ぶトマス・キルロイ : 『作者を探す6人の登場人物』の翻案と『ダブル・クロス』における異化効果について
https://doi.org/10.24547/00000139
https://doi.org/10.24547/00000139ad8bb4e0-7126-46e4-8f45-77dd034b10ca
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
ブレヒトに学ぶトマス・キルロイ : 『作者を探す6人の登場人物』の翻案と『ダブル・クロス』における異化効果について (494.7 kB)
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Copyright(c) 2011 by Toyo Gakuen University
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2019-04-10 | |||||||||||
| タイトル | ||||||||||||
| タイトル | ブレヒトに学ぶトマス・キルロイ : 『作者を探す6人の登場人物』の翻案と『ダブル・クロス』における異化効果について | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | Thomas Kilroy as a Brechtian : V-effects in His Adaptation of Six Characters in Search of an Author and in Double Cross | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | eng | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Thomas Kilroy | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Bertolt Brecht | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Luigi Pirandello | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | V-effect | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Irish Literature | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.24547/00000139 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
小林, 広直
× 小林, 広直
× Kobayashi, Hironao
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This paper explores the way in which Thomas Kilroy uses Bertolt Brecht's V-effects (Verfremdungseffekt) in his adaptation of Luigi Pirandello's Six Characters in Search of an Author (1996) and Double Cross (1986). In a 1984 article, Kilroy describes Brecht, Beckett, and Pirandello as modern dramatists who try to overturn the then dominant theatrical tendency of realism by highly sophisticated stylisation. Both plays discussed here can be seen as examples of Kilroy's application of Brechtian V-effects, which defamiliarises the ordinary rules of the theatre, makes things seem strange and, in the end, enables us to see the world differently. Characters in each play are acutely aware of their roles as fictional characters (in Six Characters) and historical figures (in Double Cross). The self-referential meta-theatricality of both works is heightened by using two theatrical techniques: video screens and addressing the audience. These techniques question the reality of the events happening both on the stage and in history. Through this comparative analysis, we can understand what Kilroy learned from Brecht in order to “create a public theatre," which has been a longstanding cultural issue in Ireland since the foundation of the Abbey Theatre, and to fulfill his early dreams as a writer. | |||||||||||
| 書誌情報 |
東洋学園大学紀要 Bulletin of Toyo Gakuen University 巻 27, p. 13-25, 発行日 2019-02-28 |
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| 出版者 | ||||||||||||
| 出版者 | 東洋学園大学 | |||||||||||
| 言語 | ja | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 09196110 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
