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ジェイムズ文学の一特質 : 『話の影』を中心にして
https://togaku.repo.nii.ac.jp/records/471
https://togaku.repo.nii.ac.jp/records/4718e624eef-a7a3-4a78-a57e-e5afe1595c87
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2019-12-25 | |||||||||||
| タイトル | ||||||||||||
| タイトル | ジェイムズ文学の一特質 : 『話の影』を中心にして | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | A Characteristic of the Literary World of Henry James : With a Special Reference to"The Story in It" | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| アクセス権 | ||||||||||||
| アクセス権 | metadata only access | |||||||||||
| 著者 |
行方, 昭夫
× 行方, 昭夫
× Namekata, Akio
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | In the autumn of 1884, Henry James was audacious enough in an essay entitled “The Art of Fiction” to take issue with a well-known English critic and novelist Walter Besant on the meaning of “experience.” Besant’s view, expressed in his lecture delivered at the Royal Institution in the spring of the same year, was a simple one; namely, that a would-be novelist ought to acquire first of all as much experience as possible if he hopes for success. By experience Besant meant an oridinary one, such as falling madly in love, climbing a high mountain, etc. James, on the contrary, apotheosized “the faculty which when you give it an inch takes an ell,” or “the power to guess the unseen from the seen, to trace the implication of things, to judge the whole piece by the pattern.” In James’s opinion, experience consists of impressions, and so it may be possible to say impressions are exprience. To Besant’s advice to a novice: “Write from experience,” James feels it necessary to add, “Try to be one of the people on whom nothing is lost!” In a tale belonging to James’s latest period called “The Story in It,” it might be said at the risk of simplification, Besant’s view of experience, embodied in Colonel Voyt and Mrs. Dyott who are probably lovers, and Jame’s view of experience, embodied in a beautiful and honest young widow Maud, Mrs. Dyott’s friend, are sharply contrasted. All three of them are highly intellectual and well versed in European literature. The question comes up among them on a rainy afternoon in Mrs. Dyott’s drawing-room: can a novelist give the drama of a virtuous, reserved, thoughtful woman? Colonel Voyt is negative, because, he says, the honest lady by definition avoids drama, adventures and romance, which makes up a story. Maud, on the other hand, maintains, though timidly, that the drama of virtue is possible, beause the adventures of innocence can be the material of fiction. Colonel Voyt scorns Maud’s idea, but Mrs. Dyott suggests that Maud could be made an interesting protagonist for the drama of innocence she upholds. How James develops and dramatizes this clash of opinions in the story is the main theme of the present paper. |
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| 書誌情報 |
東洋学園大学紀要 Bulletin of Toyo Gakuen University 巻 1, p. 19-30, 発行日 1993-07-30 |
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| 出版者 | ||||||||||||
| 出版者 | 東洋学園大学 | |||||||||||
| 言語 | ja | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 09196110 | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN10421432 | |||||||||||
| 論文ID（NAID） | ||||||||||||
| 関連タイプ | isIdenticalTo | |||||||||||
| 識別子タイプ | NAID | |||||||||||
| 関連識別子 | 110000987171 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
